Taking Flight on the Ice: Controlled Experimentation, Aerial Limits, and Field Production Judgment
- Fatih Uğur

- Feb 17, 2023
- 2 min read
Updated: Dec 22, 2025
Returning to the ice as both a videographer and a former ice hockey player reopened a familiar environment — but from a very different professional perspective.
This time, the challenge wasn’t the game itself.
It was how far aerial and motion-based cinematography could responsibly go inside a confined, high-speed sports environment.

Revisiting the Rink — With a Camera Mindset
After a 15-year break, stepping back onto the ice for training was both personal and technical.
Ice hockey remains one of the most demanding environments for filming:
Fast, unpredictable movement
Reflective surfaces and complex lighting
Tight spatial boundaries
Safety considerations for athletes, crew, and equipment
This made it an ideal environment to test controlled innovation, not reckless experimentation.
Combining Ground and Aerial Perspectives
Alongside gimbal-based skating shots, I explored the use of a DJI Mavic Air to capture overhead perspectives of the rink.
The goal was simple:
Understand what aerial footage can add to sports storytelling
Test spatial awareness and framing from above
Evaluate technical and safety constraints in a closed environment
The first flight was undeniably exciting — seeing the geometry of the rink from above opens powerful visual possibilities.
Understanding Limits Is Part of Professionalism
The experiment was short-lived — and intentionally so.
The drone’s obstacle sensors restricted altitude, immediately signaling that:
The environment imposed clear technical limits
Safety systems were correctly prioritizing collision avoidance
This was not a space for improvisation beyond controlled testing
Rather than forcing a workaround, the exercise became a reminder of something essential in professional production:
Knowing when not to push further is as important as knowing how to innovate.
Why This Matters Beyond Sports
This experience reflects a broader production reality:
Many environments (prisons, hospitals, live events, sports venues) impose hard technical and ethical limits
Senior producers must read those limits instantly
Creativity works best within constraints, not against them
Aerial filming is powerful — but only when paired with judgment, safety awareness, and respect for context.
Closing Reflection
This project wasn’t about breaking rules or chasing spectacle.
It was about:
Testing possibilities
Recognizing boundaries
Learning how tools behave under constraint
In field production, innovation is not about flying higher —
it’s about seeing clearly where the ceiling is and designing intelligently beneath it.
Fatih Uğur
Senior Producer & Field Videographer
Founder, Vidyograf



